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That’ll change your export settings to exactly match your sequence settings. If you want to bypass these custom settings and export with the EXACT settings of your sequence, you can select Match Sequence Settings at the top. You can use these presets to quickly choose settings for your exported file. There are loads of useful presets already installed with Premiere Pro and Media Encoder. Are you going to upload to YouTube and Vimeo? Compressing down the video so you can send it easily to a client? Or are you exporting a hi-res master version for presentation? The delivery destination is very important on deciding what the settings need to be. The first thing to think about when exporting a video is where the video will be delivered and how it’ll be viewed.
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In this window, you’ll select your desired settings (or presets) for the video, before sending it to Media Encoder for exporting. This will bring up your Export Settings window. Make sure the sequence you want to export is selected when you do this. You could also press the shortcut key Ctrl + M on PC, or Cmd + M on Mac. To export a video in Premiere Pro, go to File>Export>Media. It’s really not as complicated as it seems, though – with a little knowledge about codecs and sequence settings, you’ll be firing off exports in no time. Getting the hang of exporting in Premiere seems difficult with all of the settings you are confronted with in the export tab. Exporting a finished video with Premiere Pro is a required skill in any edit. If not then why even have that option (which is the only almost lossless color format for H.264) in OBS.Now that your edit is complete and ready for delivery, there’s one step left. My concern is regarding H.264 I444 4:4:4 format (which is highly unsupported) and whether there is any editor/workflow that can use it in a time efficient manner. Working with a 12 GB 1 hour vid turning into ~150 GB ProRes/DNxHR, editing, then exporting again to a 100 GB ProRes/DNxHR before final encode into H.264 I444 is just not feasible for 6 hours of footage or more of cutscenes/story based ganeplay. Similarly Resolve does not load a H.264 I444 but will load the transcoded ProRes/DNxHR 444. I am aware that most players/YT use 4:2:0 but like I mentioned Premiere Pro is causing color shifts with H.264 I444 video but not with a transcoded ProRes/DNxHR 444.
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I mean to archive gameplay for games I like cause usually YT cutscenes tend to be lower quality than what I would like. So is anyone else out there recording in I444 and editing their videos easily? Is there some workflow I can follow that would help save time and space?Ĭlick to expand.Aah okay, I should have specified. So obviously working this way with 4-6 hours of recordings quickly becomes impossible unless I get like 200 TB of disk space.
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However, a 60 minute 12 GB video turns into ~150 GB DNxHR/ProRes. Now I can transcode my OBS recording to DNxHR/ProResbfor 444 format, import into Resolve/PremierePro, edit, export as same, then ffmpeg it into yuv444p color format.
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DaVinci Resolve free (not Studio) fails to even load the video (I am told paid Studio version might be able to) and Premiere Pro shifts the colors to 4:2:0 where upon the blacks look darker, whites look brighter and the resulting video is worst than had I recorded using NV12 4:2:0. The problem, after days of research, is that most video editors do not support this mode. Now H.264 in I444 uses High 4:4:4 Predictive YUV 8-bit color format. In other modes, the red/redish objects are blurred. Details in red/redish colors are not lost in this mode. So I have been experimenting with OBS' I444 color space and found the videos look very much on par with what is present on screen.